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How To Shoot a Documentary Scene
Posted By Hal On October 2, 2012 @ 5:32 am In | 2 Comments
Among video journalists and documentary producers one tried and true approach to covering a scene is the “five shot” method developed by
Michael Rosenblum [1]. Most experienced shooters know the method
without thinking about it.
Make these shots in order:
A closeup on the hands of a subject – shows WHAT is happening
A closeup on the face – shows WHO is doing it
A wide shot – shows WHERE it’s happening
An over the shoulder shot links the previous three shots
An unusual, or side/low shot – provides a context.
• Keep the camera next to your shoulder. Tell the subject to look at you and not the lens.
Frame shot with talk-space. • Ask the subject to state their full name & spell it.
• Ask questions that lead to longer answers such as “Why is this important? Describe how you felt.” Don’t ask Yes/No questions like “Do you like it?”
• Nod and smile to encourage interviewee, but don’t say “uhuhs” and “hmms” since they will be recorded on the audio track.
• Monitor audio with headphones, use a lavaliere mic when possible, sets levels on your mic.
• Listen and make mental notes of interesting points in the interview you can shoot later for b-roll.
• Outside noises will mar the audio track. Listen for Lawn mowers, airplanes, Musak, air conditioning and much more. Always wear headphones when recording audio so you can stop the interview if outside noise is too loud.
• Bright backgrounds like windows and white walls will be overexposed or “blown out” if you properly expose for the person. Move the subject or move the camera so the background is not overexposed.
• Automatic focus can cause lots of focus errors. Keep it in manual mode and only hit spot focus for a quick moment so auto-focus doesn’t start “hunting.”
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[1] Michael Rosenblum: http://www.rosenblumtv.com/about/michael-bio/
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