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Nov 09

Easy Way To Create 360 Degree Animations Of Products

Using just a smartphone, laptop or standard camera, you can easily make interactive animations like those below.

Hover cursor over image and slide left or right

The subject can be a tabletop product, a person, or a car. The product can be rotated on a turntable or the camera can walk around the subject shooting as you go. If shooting a person, the app will even cue you to turn. All it takes is a smart phone (laptop or standard camera) and an easy-to-use app called YouSpin.

Download the free version for the
iPhone/iPadat iTunes.

Or
Android at the Google Play Store.

The lite version works great. If you want to do this as a business service, you may want the pro version. Both use the new HTML5 standards. As you probably know, HTML5 is the future of mobile browsing because it’s powerful and lightweight. Flash is on its way out.

The video below describes the process more.

You’ll want to take 8 or more shots. The more shots you take, the smoother the rotation. After you shoot, the photos are assembled almost instantly and then you can upload to your account at YouSpin or Facebook. From there you can embed the interactive 360 image into web pages.

You can also do panoramas with the Youspin app, in fact you can do 360 photography of anything.

Oct 11

Vimeo Adds “Tip Jar” for Producers

Vimeo has just added a Tip Jar which enables viewers to “like” a film with money. To enable the Tip Jar on your video, you must have a Vimeo Plus or Pro account. This is good news for filmmakers. Vimeo apps are available for iPad, iPhone, and Android. Vimeo can also be seen on Roku, Boxee, Google TV, and Apple TV.

The independent filmmaking community has long been partial to Vimeo as a video hosting site. Out of the 65 million unique visitors per month, a great many are film lovers. This tip function puts Vimeo in the realm of crowdfunding sites. Like the others, Vimeo takes a cut – 15%, which is more than most, but at least they don’t make you wait long for it.

So now when a viewer discovers a video she likes, perhaps a tutorial, and wants to thank the filmmaker for it, the new Tip Jar is an easy way to reward helpful or entertaining films. But even better is that early next year Vimeo’s pay-to-view will debut. Filmmakers and producers will be able to charge for viewing their videos. One thing that is different with Vimeo’s Video-On-Demand (VOD) is that anyone with a Vimeo Pro account can use it. Amazon and ITunes, on the other hand, make filmmakers go through an intermediary like Distribber.

Vimeo also has a new music store where filmmakers can find and license music to legally use in their films.

If you’re looking for exposure, YouTube has tons more traffic and it is the second most popular search engine in the world, but if you’re looking for an artistic community, Vimeo wins hands down. Vimeo does not run ads before or on top of videos like YouTube does. What to do? Use BOTH of them and get even more exposure.

Oct 19

Outside the Box
posted in: Webcast

Why would a video producer put this video on his website’s home page? Mike Cornett, friend and VideoUniversity customer, did just that. See his home page at Visual Media Concepts. He’s not hitting you over the head with hard sell – hire me, hire me. He’s getting your attention and making you want to know more about this producer who thinks outside the box.

Sep 29

Produce A Free Video
posted in: Webcast

In my most recent ezine I urged producers to produce a very short promotional video for
one of the favorite non-profits. This can do more good than you might imagine.

First, it will help the non-profit and these days many need all the helps they can get. They need donations and volunteers. Second, it will be fun to produce a short video you can believe in, and in the process you will meet people. Talk to everyone and exchange business cards. Some of them may think of a video they’d like to produce so naturally they will ask you about your services. Third, it will help you promote your business by getting your name around.

The zoo video above happened accidentally. I was about to start talking to local non-profits to show just what I meant when I recalled I just visited the zoo in Providence just a few days ago. I had taken my cheap palmcorder just for fun and home movies. Later I realized I should put this together and put it on YouTube just like I suggested in the ezine. So voila! Already I’ve had some nice comments about it. Who knows what it might do. As much as I believe in planning ahead, sometimes you’ve also got to be ready to take advantage of opportunities.

I’m going to produce some more short videos for local non-profits just to help them. So why not try this yourself and see what happens. If you do, be sure to let me know so I can give you and the non-profit some free publicity.

Hal

Sep 18

VU Webcast #4
posted in: Webcast

Welcome to the VideoUniversity webcast.

Whether you produce corporate, wedding, or any kind of video, there’s a
lot to be made in duplicating the videos you’ve produced. Shawn Lam just
did a video review for our blog about a tower duplicator he built. Check
it out at the VideoUniversity blog. Now you may not need the kind of
duplication volume that Shawn does. If you want a disk publisher that both
prints and duplicates without your having to touch it, then a disc
publisher may be right for you.

Today I’m going to review the Primera “Bravo Two” Disc Publisher. It can
duplicate and print 50 DVDs or CDs and it uses a robotic arm so you don’t
have to feed disks one-at-a-time. It has one drive and prints at 4800 dpi
on inkjet- printable discs. It does require a computer (Mac or PC) and
connects with a USB 2.0 interface. It includes software for duplication
and printing. Once you set it up, it is very easy to use. I’ve found you
can use your computer for other things while it’s duplicating, but many
people advise you not to do this. So you may want to duplicate when you’re
not using the computer.

You’re not supposed to use it with the cover open, but for this
demonstration I’ve tricked the door sensor so we can see how it works. The
Disc Publisher is pricey, about $1,700. I bought mine used on the
VideoUniversity Trading Post for $500. If you want a used one, you may
find it on the Trading Post, Ebay or elsewhere. Be careful with the model
descriptions. Some are printers only, even though they look nearly
identical to the publishers which do both copying and printing. I found
one on eBay where the guy called it a Disk Publisher, but it was only a
printer. The next step up from the Bravo 2 is the Bravo Pro which has two
drives and can handle 100 discs at a time.

After installing the software, I had trouble getting it working, so I
eventually called Primera Tech Support who determined that the problem was
a conflict with my internal DVD burner. He suggested I use only the Data
Disk option instead of the image job or other options. This has worked
just fine for duplicating DVDs & CDs.

The machine is easy to use. First it burns the disks then prints them. You
do have to use inkjet-printable disks because it prints right on the disk
itself, not on a label. The robotic arm and print head move with enough
force to make a light table wobble which is kind of funny, but the machine
does what it says it will do and that’s a good thing.

The biggest problem is the cost of ink cartridges. You need two
cartridges: a color cartridge and a black and white. These sell for about
$36 each plus shipping. You probably won’t find them locally. Depending on
which combinations of colors you print, it should give you 100 copies on a
cartridge, but if you use mostly magenta in your prints, that can drop to
only 75 copies. Either way that’s expensive printing.

Since the print engine is a Lexmark printer, people have tried using the
Lexmark 26 cartridge, but that doesn’t seem to work. I found a refill kit
from a small company called DVD Ink Refills – good name! Their refill kit
for the Bravo 2 sells for $40 and provides 10 color refills and 3 black
refills. It comes with an instructional DVD.

I’ll be buying this one soon. It will save a lot of money. I’ll let you
know how that works out. This could affect the Primera warranty, so read
your warranty.

So there it is. I can recommend this automatic printer/burner. It is
expensive and so are the ink cartridges, but it looks like there’s a way
to refill them inexpensively. After a difficult time getting it going,
tech support was very helpful. The machine has performed well for me.

Duplication is a profit center so the more video services you sell, the
more DVDs you’ll have to duplicate. Go sell some video services and always
give your customers a duplication option.

Please visit VideoUniversity.com. If you have questions or comments about
The Primera Bravo Publishers, we’d love to hear from you. We don’t check
Youtube very often so to ensure that we see your comments, please make
them on VideoUniversity.com. While you’re there, subscribe to our free
newsletter.

Thank you for joining us.

Happy Trails

Aug 06

VU Webcast #3
posted in: Webcast

You can contact Jon and see some of his work at his web site http://particular.tv/

(VU Webcast #3 Part 1)

Hey guys, I’m Hal Landen from VideoUniversity. Today we will see an overview of After Effects courtesy of Jon Mello. Jon’s originally from Bristol, Rhode Island. He does a lot of After Effects work for TV commercials and corporate video projects. Jon’s going to give us an overview of the After Effects Interface. This is a two part video. You can see both parts at the VideoUniversity blog. Here is Part 1.
——————————
Hi, I’m Jon Mello from VideoUniversity and today we’re going to be doing a rudimentary introductory look into Adobe After Effects. Most folks when they edit their video, tend to use the built in title generators and animation within their editing programs whether it be Premiere, Avis, Final Cut or Vegas. Sometimes After Effects can look daunting and look a little too complicated. Today we are working in After Effects CS3, but what I’m going to show you applies to all the versions of After Effects including CS4 all the way back to After Effects1 or Coso which was developed in Providence Rhode, Island close to where we are recording this.

This is the basic After Effects Interface and what we’ll do in this video is introduce each of the different regions of the Interface. First we’re going to start up here at the toolbar which is also shortcut drive and it probably behooves you to learn the shortcuts over the course of time. But right away we’re going to start at the pointer which is just like the selector tool in any other program. You can select things. The hand tool kind of shifts things around just like if you’re in Photoshop.

Here we have the zoomer which is just what you would expect it to be. And these are camera rotators which we’ll get into later when we get into 3D cameras. The Pan Behind Tool is also another handy thing like a slip edit tool or anchor point adjustment tool. Then you have masks and beziers just like if you were to put a garbage matt in with your editing program.

Here’s your text tool. You can have multiple options of horizontal text or vertical text. Next to it we have the paint brush, the clone tool, the eraser, and the pin which is used for a very powerful aspect of After Effects which is called Puppet Tool which we’ll get into in another episode.

Over here is the project bin which is like the bin in your editor where you have all the project information. This particular project just happens to be 864 by 486 with a square pixel aspect ratio. Over is your effect controls. Right now we do not have any effects applied to our video footage so this is empty. So going back to our project window, we see a preview of our video that is loaded. And in this particular sample, we have video I made for an organization that wanted a simple web site animation to show their web site in action. Now of course I could have just screen captured the web site and used it as a still or done a pan over, but when you have After Effects, it’s easy and fun to dress it up a little bit and throw some interactivity in which increases the production value.

Now we’re going to look to the right and see the viewer which is just like the view in your editor. You can zoom in on it and do all types of things. But this is where you would see the video you’re working on.

Over here we have all the different types of information you may need for your project: the color value information, the alpha value information, the x and y coordinates of the cursor. Then we have the audio which I don’t use too often because After Effects isn’t really an audio editor.

Down here we have the time controls. What we have in the time controls is just like the playback options in your editing program: play, frameback, roll back to the in point. You can select a frame rate for your previews where it loads all the frames into RAM and plays it back at the rate you set.
Here we have the skip frames. This is another way to save resources. If you have complex scene and you just want to see just the mechanics of it and not the fine aspects of it. You can skip up to five frames. It will play every fifth frame.

And here in Resolution we have even more control over handling the resources. The resolution can be set to auto, or any of these choices. “From Current Time” is where the play head is. And full screen will play back the Ram preview in the full screen mode.

Here is our character generator where we can have the list of different fonts available to you. This looks like the same as you’ll find in PhotoShop or Illustrator. The Paragraph information is the same as you’d expect for any of the imaging editing programs.

After Effects is very well known for its effects palette. Here are all of the effects. Now I do have some after market effects in here. After Effects comes well stocked from Adobe with tons of effects plug-ins you can apply to your footage. You can manipulate these effects in an infinite number of ways.

In other videos we’ll look at some of the more popular plug-ins such as Trap Code Plug-ins. These are always a crowd-pleaser. We have Shine, Star Glow and other effects you see on television commercials.
——————-
Thank you, Jon, for that helpful introduction to the After Effects Interface. You can see Part 2 of this After Effects overview in the VideoUniversity blog. Please visit VideoUniversity.com. If you have questions about AfterEffects or comments, we’d love to hear from you. Some people make comments on YouTube, but we don’t check Youtube very often so to ensure that we see your comments please make them on VideoUniversity.com

Thanks for watching.

Happy Trails!

Aug 06

VU Webcast #3 Part 2 – Introduction to the After Effects Interface
posted in: Webcast

You can contact Jon and see some of his work at his web site http://particular.tv/

(transcript to come)

Jul 29

VU Webcast #2
posted in: Webcast

See Shawn’s web site:
http://www.shawnlam.ca/

(VU Webcast #2 Script)
Hi – this is Shawn Lam for Videouniversity.com.

Today I’m going to be reviewing the Ily Athena 1 to 11 SATA DVD duplicator controller card, installed in a 13 bay tower. I put this DVD tower together to replace my old ACARD 1 to 8 tower. The old one was working fine but the new one is faster, can burn more discs at a time, and has a better disk image storage and naming system than the old one.

Now you can buy the system pre-installed with all the drives and ready to go out of the box in the US. Seeing I live in Canada I have fewer options and saved a few hundred dollars, largely due to shipping and assembly costs, by ordering my system in a bare bones configuration – that is, only the tower, cables, controller card, and power supply; and I sourced my drives locally. It was also much more fun this way and isn’t too complicated. I’m pretty used to tinkering in computers though as I assemble and upgrade all my own computers. So I’m pretty comfortable with this type of thing but if you are not, then you will want to get your duplicating tower pre-assembled.

First let me start by explaining the technology and components:
A controller card is like a computer’s motherboard and CPU. It is what controls the DVD drives, hence the name: controller. Unlike a computer’s motherboard, a controller card is not mounted to the side of a computer tower, but rather it is mounted in a standard 5.25” bay.

Another difference between a computer and a duplicator controller card is that the controller card doesn’t require an operating system like Windows, software to run the program, or hard drives to store the O/S and software. Controllers use System on Chip (or SOC) technology, update-able by download-able firmware updates.
The controller card connects with DVD drives using regular hard drive cables. IDE is what older systems use. These are the older ribbon type of connections, otherwise known as Parallel ATA. Newer systems, including my Ily Athena model, use the newer Serial ATA connectors. So what is the difference? Well other than the different cables, IDE systems are slower at transmitting data and are quickly becoming obsolete, which makes finding replacement drives more challenging. The faster dual duplex data transfer that SATA offers and larger onboard RAM of newer controller card translates in faster duplicator speeds on newer models. Now I should clarify that the faster speed is not due to faster burning speeds – I burn everything at 8x in an effort to improve compatibility – it is due to faster start times, the time it takes between when you push the copy button and when the buffer loads and the burning begins, which means actually transferring data to the discs.
OK – time for a funny story – I would have liked to show you a side-by-side comparison of my old system to my new one but I actually sold it this morning – so you will have to take my word for it that my new one burns a full DVD about 90 seconds faster, which makes a big difference when you are burning a lot of discs, like I am right now. This being the beginning of July my dance recital season is over and I will be duplicating 20 DVD masters for a total of 2,200 DVDs in the next 2 weeks, so for me that extra 90 seconds is going to make a big difference now but not so much on smaller duplicating jobs.

So we’ve covered-off some of the technology – now let’s have a look at how everything is connected. My case came pre-installed with a power supply and enough connections to power each of my drives, including my hard drive. So the power supply powers the drives and the controller card and the controller card connects to each of the DVD drives and the hard drive.

So while the connections are pretty easy to figure out, cable management becomes a bit tricky when you have 13 devices connected to one small controller card. Thank goodness for the smaller SATA ribbons.

So what is the point of the hard drive? I’ve already mentioned that the controller card uses System on Chip technology and doesn’t require a hard drive. Well the hard drive is optional and is one of the two ways you can duplicate a disc, the other is disc to disc. To use the hard drive you load a master and copy the image to a hard drive partition. It might sound complicated but once you put the disc in the source drive it is a one button function to load.

The front of the controller card has 4 buttons and a small LCD screen and the navigation is pretty straight-forward. Although there are 12 root menus most everything is done through three of them. Number 12 is the Image manager, and is where you can load DVD on to the partition and assign a name; number 8 is the Select Source function, where you decide whether to copy from a DVD source or from an image on the hard drive, and number 1 is the copy menu, which really isn’t a menu at all but when it is selected it serves as the “start” button to commence your DVD duplication.

I’ve been using both my old and my new tower side by side for about a thousand DVDs in the past month – this is how they compare:
As I mentioned before the new model is faster. The new model is also more efficient in allocating its hard drive partitions. The old one occupied 10 GB for each partition when you enabled dual layer burning, so this meant only two partitions on the old 20GB hard drive I had sitting around at the time I put the old system together. The new one creates a partition exactly matching the disc size so no wasted space and depending on disc size, I can load more than 65 DVDs on the 300GB Hard drive than I had pulled out of one of my editing systems because it was too small. Amazing how much has changed in a few years in terms of storage space.

Now the best new feature on the Ily Athena model is the ability to name the partitions, which makes navigating through disc images much easier. My Acard system was a 1 to 7, which means when you have a source disc in the source drive, you can burn to 7 target discs at a time. But when you burned from a disc image on the hard drive you could actually use the source drive as a burner and burn 8 at a time.

The Ily Athena system is a 1 to 11, which means 4 more discs when burning disc to disc, but only 3 more when burning from a hard drive image as the Ily model can only burn to 11 at a time.
When I was at NAB 2009 I visited Acard at their booth and told them I had been using their controller card for years and asked what was new with the newer models. The rep chose to focus on the SATA technology and the improvement in compatibility and consistency with DVD drives it allowed. Essentially he said that past models were picky with the combination of drives you installed. I actually experienced this and at one point swapped my Pioneer drives for NEC models due to compatibility issues with both Prodisc and Taiyo Yuden DVDs but a colleague of mine has the same controller card and the same Pioneer drives I replaced and he hasn’t had any problems.

So when I bought my Ily Athena SATA model I wasn’t too concerned with the brand of drives I chose and ended up getting LG models, which didn’t work properly. A call to Ily tech support revealed that not all drives perform well in their duplicating towers and a quick check on their compatibility list, which for some strange reason is not available on their website, confirmed that LG drives didn’t work with Ily controller cards. I changed to Pioneer burners and the problem went away. They also encouraged me to use a DVD Rom drive as my source drive for better performance but accomplishing this has been nothing but a bag or hurt as very few companies still make and distribute DVD Rom drives with a SATA connection. I finally located a single Asus ROM drive that was on their approved list but it stopped working last week and I have yet to change it. Regardless I was able to change my source drive to one of the Pioneer burners and use it to load my disc images before duplicating.
What else do you need to know when putting together your own duplicating tower? Make sure you get all the parts. For some reason the company that sold my bare bones system didn’t send any screws along to connect the DVD drives with the case. The industry standard is that screws come with the case so they should have included the screws. So when it came to connect 13 components to the case without the 104 screws it requires, I had to do a bit of rummaging thought my parts drawer as and even my computer supplier didn’t have that many lying around. I eventually ordered a bag from another supplier.

Now a few last notes to wind-down this exclusive Videouniversity.com review and because I know I’ll get asked.

How does the Ily Athena compare with new Acard controller cards?
I never got a chance to test any Acard models but I wouldn’t expect any performance differences and I confirmed with ACard that their 1 to 11 model can only burn 11 at a time, even when burning from a hard drive image.

How come you chose the Ily model over the Acard model?
Local availability. ACard does not have any dealers in Canada and I didn’t want the hassle of importing and paying for additional handling versus finding a Canadian supplier, which Ily has. ACard did want to sell me a controller directly but were not able to find me a suitable case supplier so I went for the Ily base bones system with case, power supply, and cables.

So there you have it – my new duplicating tower using the Ily Athena 1 to 11 SATA duplicating controller card.

May 28

VU Webcast #1
posted in: Webcast

Video University Webcastfor the discerning video producer. This webcast includes Humor, New York City by amazing Unicycle and Glidecam, What you can do with Skype Video, Hi-def wireless streaming news.

Dolphin Footage courtesy of Chia-Jung Chi

Jeff Natalie’s ErieKIDS – Mental Health Education for Children, Families and Communities
http://eriekids.org/

Hal Landen’s book and DVD about Special Interest Video
http://videouniversity.com/shop/secrets-of-producing-and-selling-successful-videos

Brian MacKenzie’s amazing unicycle trip through New York City while wearing a Glidecam Smoothshooter. To see more extreme unicycling buy his DVD entitled Inner Balance available at
http://www.balanceproductions.ca

http://www.skype.com/
For information about Skype and Hi Quality Video on Skype,

http://www.skypecap.com
Allows you to save Skype Video Sessions

Skype As a Home Security System
http://www.von-phone.com/skype-home-security-monitor-howto.php

Skype Translators
https://extras.skype.com/categories/all/good?

CrazyTalk for Skype allows you to create Lip Synching Avatars that lip synch everything you say.
http://www.reallusion.com/crazytalk4skype/

Gefen Wireless for HDMI http://www.gefen.com/kvm/dproduct.jsp?prod_id=4318

View the next page for a complete transcript of this broadcast…