
RustyB
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Jun 22, 2008, 3:50 PM
Post #15 of 18
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Re: [Ron Priest] Any Suggestions for a Shotgun Mic for the Z1U
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For a while I used the Rode NTG-1 on the Z1U/Canon A1/etc, and really liked it. I originally bought it because it was short, had good reviews, and within my very limited budget... http://www.bhphotovideo.com/...tgun_Microphone.html It's only $250, but you'll also need a short XLR cable, of course. You don't need the battery powered NTG-2 to use on your camera, but I guess for some other applications it would be handy. I just do weddings, so those applications never come up...I just need it for my camera, which powers the mic just fine. If you shoot plays and school videos, maybe thet NTG-2 might be a better investment...it's only $20 more...but I think it's also about 2.5 inches longer!! I really liked it a lot over the stock PD170 mic. These days, my videos are focusing more on the PEOPLE at the wedding...not endless shots of the table decorations at the reception or reveal shots of Mary statues from behind the bushes in front of the church. Being able to isolate the a person's laugh, or a little comment, during a candid moment, works pretty well with the NTG-1, versus a jumble of noise from a built-in camera mic...and sounds WAY better than just deleting all the natural audio and covering it with Shania Twain or the soundtrack from Gladiator. I shoot alone and don't use a lot of audio recorders/sources. Ideally, I like the Rode NTG-1 on channel 1/groom's wireless on channel 2 for the ceremony, with my stationary balcony cam recording the ambient/music. For the reception, it's the Rode NTG-1 on channel 1/DJ's speaker on channel 2. Whenever I can afford to sell my current FX7 and buy a V1U with XLR inputs, I'll be going back to that setup, and buying another NTG-1 (sold mine when I bought the FX7). It works perfect for me! And like Wesley says, pretty much whatever you buy, you'll have to fit it to the camera's holder. I just wrapped it with gaffer's tape, for a nice fit. I'm sure an expensive mic isolator would work much better, but you'll never tell the difference in one of my wedding videos. For an on-camera mic, I could care less. If it was THAT big of an issue, I'd have a sound guy with a mic boom, producers keeping everyone quiet around me, and the client would be paying a heck of a lot extra for it. Good luck! faith poison wedding films anger is an energy
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