
MLiebergot
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Apr 11, 2008, 10:51 AM
Post #2 of 14
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Re: [2ndMile] Soon to purchase... is this wise? Marantz PMD620 & Rode M3
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Quick micing of the quartet or singer at the ceremony There is a situation coming up in two weeks where the bride is having the cousin sing a special song from the choir loft. The quartet will be right beside the singer so I figured would capture both. Would the on board mics be sufficient for this? I know from reading the H2 has a better sound from the on board mics but I also want quality. Would the M3 be a good mic in this situation? (I am not an expert on the different types of mic patterns even though a musician friend has explained them 100 times). First off the M3 will have too tight a pattern to get you a good recording of both the solist and choir. It will work, if placed appropriately, I would place it closer to the solicit as the choir will be louder. Even better if you were to use 2 mics, one on the choir one on the solist. Even
- Third source of audio for ceremonies such as on the priest or podium. What lav would you recommend for this? Giant Squid? Which one? The GS squid should work just fine.
- Pulling audio feed from DJ via RCA or micing the stack using the M3 Like most of you I am tried of uncooperative and something stupid DJs that just roll their eyes. I figure self sufficiency is the way to go. And is their I good way that this can be done with a mic stand? Possibly from a tripod? I have a MINI Cooper and it is pretty full as it is. Take a look at a setup that is posted on my LVP Tools blog (which needs to be updated BTW). scroll all of the way to the bottom of the page. This is an old picture of when I used to use the H4, but can be used for any recorder audio setup. Currently I place my wireless hand held and the H2 on it, and move it where needed, as there's no cables to worry about and only takes me 5-10 minutes to setup. The H2 is good for it's built in mics as I have said before, but the PMD620 is an overall better box. Better build quality, better manual control, better menu, better crystals, which will prevent audio drift, better 1/8 mic/line inputs, and better quality, much quieter pre amps. Michael Cameras: (3) Sony FX1, Canon HV20 Audio: Marantz PMD620, Edirol R44, ZoomH4N, ZoomH2, Sennhesier G2 Mics: Rode NT5, Rode NT3, Rode M3, Rode NTG2, Shure SM57, AT822 Software: Sony Vegas, Final Cut Studio Computer: MAC BABY! MacPro, MacBook Pro
(This post was edited by MLiebergot on Apr 11, 2008, 10:52 AM)
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