
Waldemar
Enthusiast

Jul 19, 2005, 8:35 PM
Post #5 of 10
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Re: [sszeto] How to get XL1s "stereo" sound from a mic?
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The simple answer is to "Y" your audio connection so the audio signal goes directly into both channels. This is valid ONLY for the the MA-100 back XLR inputs, Note: The MA-100 incorporates a signal impedance adjustment that boosts the signal strength of the XLR input to the RCA (line) inputes that are built into the camera body. If you bypass the MA-100, be prepared to be disappointed with regard to audi quality unless you are using an external audio mixer. Apple Computer's "Final Cut" applications automatically default any mono audio input to evenly balance on both left and right channels. In this application, it is a simple matter to hghlight th audio tracks and adjust left/right balance to your needs. That is not much of an imposition in post. There is no reason to export audio to QuickTime, process, and re-import. I am not familiar with other video editing applications for the MAC platform. To record in stereo in any situation, you need two microphones, or one mic designed to record in stereo. Canon's standard on-camera mic for the XL1S is a stereo microphone. Any other microphone used alone MUST use a mini-plug mono-to-stereo adapter to record stereo on tape (cheap Radio Shack thing), IF you use the front mic input. However, if you choose to use the XL1S four channel capabilities, realise that you must initially open your video project to recognize 12 bit/ 32k audio. And also realise that you MAY have to capture your audio in two passes. I feel like I spend more time trying to stay on top of what application updates mean than I do trying to earn a living. G5 1.8. Final Cut/QT Pro/iMovie/Still Life. GL1. XL1-s
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