
Waldemar
Enthusiast

Dec 14, 2005, 8:20 PM
Post #8 of 14
(1295 views)
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Re: [jarod126] advantages of a large constant aperture
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If you indeed have a lens that maintains its f2.8 aperture at ANY focal length you have one top quality professional lens, and i will willingly trade you any f3.5-5.6 on the market for it. i'll buy that cheap lens for you and pay shipping to you. I'll still have the best end of the bargain. Perhaps this will help. It has been a while since i have discussed this, so I may have the numbers wrong: The f-stop of a lens is a mathematical relationship of the aperature relative to its focal length. A 2.8 lens means the focal length is 2.8 times the aperture. Change focal length, as one would do on a zoom lens, and the relationship changes. In 35mm camera lens terms, a 28mm (focal length) wide angle lens can maintain a 2.8 aperture with the largest glass lens element being somewhere around 40mm in DIAMETER, and can accept front filters of about 52mm diameter (cheap). A short telephoto lens of 80 mm focal length with a 2.8 aperture will need its largest glass lens element to have a diameter of some 70mm diameter, requiring a filter size of 82mm diameter (really expensive). To offset cost, lens manufacturers limit the physical maximum diameter of the lens which shifts the widest f-stop available. A 28mm-70mm 2.8-4.5 lens (3x) advertises an f-stop of 2.8. That is true for the 28mm focal length, but the maximum available f-stop is only 4.5 at 70 mm focal length. The price for such a lens would be under $100. An identical lens that maintains an f-stop of 2.8 throughtout its entire focal length will cost well over $1000.00. Regardless of what kind of lens you have, realize YOU set the aperture. Most lenses, regardless of quality, are at their sharpest edge to edge at the mid level, usually f4.0 - 5.6. If you want more depth of field, set the aperture at f8.0, f11, f16, f22. If you want less, choose f3.5, 2.8, 2.0, whatever the widest/lowest number setting is available. G5 1.8. Final Cut/QT Pro/iMovie/Still Life. GL1. XL1-s
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