This can also be done with one camera such as Canon T2I with Magic Lantern.
High dynamic range imaging (HDRI) is a way to achieve a much higher contrast ratio (the range of values between light and dark areas) than normal photo techniques can typically achieve. The goal of HDRI is not to create an unnatural image, but one that accurately records the wide dynamic range of maximum black and the whitest white that occurs in one image.
For instance an image can have extreme contrast differences, but most photo and video technology cannot record these extreme differences. If you exposed for the darkest areas, you would over-expose the highlights and vice versa. Choosing what to expose properly and what to let go – ether under or overexpose is a judgement call of the photographer and is an important element of the art of photography. It applies equally to cinematography and videography.
If you took one photograph and exposed for the darkest areas and then from the same vantage point you took more photos and exposed for the lighter areas and selectively superimposed these photos into one image, you would get an image with remarkable dynamic range. So instead of allowing the windows to “blow out” or overexpose while keeping the room properly exposed, you can do both. This was the old way of doing this by combining the different shots in Photoshop or another program after the fact.
Taking different exposures with differing f-stops is called bracketing and is a time-tested technique in photography. Instead of taking three separate photos, each exposing for a different light value, today’s DSLRs can do this automatically. By taking just one shot, the camera will automatically take several different shots at different exposures.
Is it cheating? Well, perhaps in the same way that auto focus and auto iris are also cheating, not to mention all the other auto functions in today’s cameras. It’s really just another tool at your disposal.
While most video camcorders cannot process multiple images for each frame, the Red camera and Arriflex have both been working on digital sensors that can capture HDR video. The operator can choose 1 to 3 stops in additional contrast range. This gives them lots more options in post for beautiful images.
In the more affordable arena, DSLRs can capture multiple images per frame if the rate is much less than 30 frames per second. Time lapse video fits that bill because it has typical frame rates of 1 frame per second and less.
As TV sets are now featuring enhanced dynamic range, it won’t be long before TV and other video applications will find it commonplace.
A company called JK Imaging has licensed the Kodak name. The agreement enables JK Imaging to manufacture and sell Kodak branded digital imaging products. One of the most intriguing is the Kodak PixPro SP360. It captures 1080p video with a 360º field of view. This 360° HD Action Camera pairs with smart phones via WiFi […]Read More
Full HD 360-Degree Spherical Panoramic Digital Camera Here’s what my friend Tim Doherty shot with his Ricoh Theta S. Use your mouse to click and slide the view. The Ricoh Theta S is available on Amazon. The Theta S will shoot 1080p HD at 30fps for up to 25 minutes per charge. It can also […]Read More
4K TV describes any TV display technology with a total pixel count which is 4 times the final resolution that you’d find in ordinary Full HD TVs It need not have exactly 4,000 or more pixels horizontally. In fact most 4K TVs have a resolution of 3,840 x 2,160 while some have more than 4000p […]Read More