Canon 5D Mark II

Canon 5D Mark II Review

Canon 5D Mark II with 50MM lens

MSRP $2,499.00 body only

Canon’s Description of the 5D Mark II

Canon 5D Mark II Operating Manual

Summary: Announced in 2008, this DSLR has a 21 megapixel sensor, can record 1080p H.264 with manual controls up to 12 minutes or 4 GB in one clip. It has a 3.0″ VGA LCD, ISO 100 – 6400, magnesium alloy body, and interchangeable lenses.

The camera has achieved some fame. The 5D Mark II was the first digital camera used for an official U.S. Presidential still photo portrait, taken by Pete Souza in 2008. In video it has a number of famous credits:

TV

The opening title sequence for the 35th season of NBC’s Saturday Night Live in 2009 was filmed with a MarkII and a Canon 7D. These small cameras allowed discrete shooting on the streets of New York City. The depth of field capabilities compared favorably with the series’ normal 35mm film.

The House episode “Help Me”, on Fox TV was shot entirely on the Canon 5D Mark II, replacing the shows’s usual 35mm film format. The entire seventh season of the show was also recorded with a 5D Mark II.

The BBC Two has filmed Shelfstackers, a comedy series with the camera.

Obama’s War, A documentary for PBS was shot on a Canon 5d mark II. Photojournalist Danfung Dennis: How I cover the Afghanistan war with the 5DmkII.

Feature Films

The two feature films each claim to be the first shot with this camera:

Sensory Perception

A Beautiful Belly

Canon 5D MarkII Cinema Rig

While the camera can record full HD at 1920×1080, I think there are better and easier ways to shoot a feature film.

Firmware upgrades have added significant improvements. Current versions of the camera have manual control over aperture, shutter speed and ISO while recording video. Current versions also support 1080p at NTSC 29.97fps, 1080p at PAL 25.00fps and 1080p at cinematography 23.976fps. It also added a function for manually adjusting the sound recording level at 64 levels, a histogram display to evaluate brightness or RGB for shooting video with manual exposure.

Audio

Built-in microphone for recording mono sound and a stereo microphone input. Speaker for playback.

Auto Focus

The EOS 5D Mark II can do autofocus while recording video if you are in Live Mode or if Face Detect is selected. The problem is that you have to continually press the AF-ON button and then wait for up to several seconds. Unlike the autofocus on most camcorders, this kind of autofocus is not very helpful.

Viewing

Optical viewfinder, LCD 3″ with 920,000 pixels and 3 automatic brightness levels and 7 manual levels and HDMI output.

A Videographer Writes

by Wes Hollendonner

Rubber City Productions

The Canon 5D Mark II is a revolutionary full frame DSLR camera. You can achieve that film quality look (shallow depth of field) in a relatively compact and inexpensive package. This is the reason why many producers, directors and cinematographers are now using it to shoot TV shows, commercials and feature films.

The new LCD screen is beautiful. 3″ diagonal with 900,000+ pixels. The menus are easier to understand and navigate than most any other DSLR. The “Live View” feature is an excellent way to do critical focusing and the 21 megapixel resolution is amazing.

It really is the best bang for your buck ($2699) when it comes to visual quality, durability and portability in a camera (Remember that a solid array of lenses will run around twice the price of the body). However, the 5D does have some minor drawbacks. First of all, recording internal audio poses a problem. The internal microphone picks up levels on focus pulls and until recently you weren’t able to disable AGC (Auto Gain Control) without cracked firmware. I recommend purchasing a ZOOM 4Hn recorder to bypass the 5D audio issues. Record your audio with this device and synch it to video shot on the 5D in post.

The second drawback is that you can only capture 12 minutes of video at a time. Any longer of a clip and the 5D is no longer considered a DSLR camera. If you plan to use the 5D alone on shoots that require seamless video throughout, I wouldn’t recommend this camera. After 12 minutes of footage is up, you will have to hit record again and you will lose a couple seconds in between clips. You can get around this by shooting with two DSLR’s and delaying record start times between the two. In post, switch to the alternate camera when you are in between clips.

Finally, the battery life only lasts for about an hour. Extra batteries are expensive (LP E6 – $70) but essential for this camera. Shooting constant handheld video over a battery charge will drain it quickly, as well as overheat the camera. Give the camera a break if you notice overheating. Also, consider purchasing a Battery Grip (Vello BG-C2 – $70) for more balance, battery life and improved ease of use. This grip makes the camera taller and easier to hold. It also allows simultaneous use of 2 Canon lithium batteries or 6- AA alkaline.

All in all, the only thing better than using this camera for film production is using two of them. I highly recommend this camera for anyone looking to produce professional quality video at a low price.

Pros:

  1. Shoots amazing footage in low light (1080P). The full frame 35mm sensor on the 5D is larger than the RED ONE sensor or super 35mm motion picture film.
  2. Dust and Weather Resistant
  3. Self ”“ Cleaning Sensor
  4. Shoot stills while you’re filming
  5. HDMI Video Output
  6. External Mic Output
  7. Huge ISO Range (50-25600)
  8. Great workflow with Adobe CS5 ”“ HDSLR presets in Premier Pro make transcoding unnecessary. You can drag and drop files into your bin with ease.

Cons

  1. Noisy at high ISO
  2. Short Battery life
  3. No built in flash or memory
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2 thoughts on “Canon 5D Mark II

  1. Terence Kearns

    I’m getting into videography with my 5DII and 7D. There are a lot more cons than mentioned in the list above.

    Check this out for a good summary…

    http://www.dvuser.co.uk/content.php?CID=246

    under the subhead:

    WHY DSLR’s ARE NO GOOD FOR HD VIDEO

    I’ll be aiming to get the AG-AF103 at the next available opportunity. Either that, or one of the many other superb units out there. The EOS isn’t a cheap filming option once you start kitting it out to mould it into an ergonomical productive videography unit. I would rather take a hit in the image quality department (and the wallet) for the practicality of something like the JVC GY-HM750.

    Reply

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